What I Learned: The Slapstick Legacy After 20 Years
At some point in 1996, possibly in the summer, but maybe in the fall, Slapstick broke up. The problem was, unless you were in the
At some point in 1996, possibly in the summer, but maybe in the fall, Slapstick broke up. The problem was, unless you were in the
In the late 1970s and early 1980s, Wreckless Eric was a staple of the revered English punk and power-pop record label Stiff Records. The songwriter,
Six or seven years ago we both quit our jobs. We both had what most people would think are pretty legit, full-time “adult” gigs, with
Welsh songwriter Cate Le Bon once said that she acquired her French surname from a “joke that went too far,” perhaps unwittingly foreshadowing the inventive
“I’ve been backing people up in different parking lots around Edmonton for the better part of my life—I’d say twenty five or thirty years at
Wolf Eyes is a group of people I work with: Nate Young, John Olson, and Crazy Jim Baljo, plus Aaron Dilloway and Mike Connelly. For
On the first track of Mal Devisa’s recently self-released full-length Kiid, nineteen-year-old Deja Carr slips into a duet of velvety bass and voice. “Fire” continues its
What does fear sound like? “I try to make sounds that sound like a void or an abyss,” reckons Jonathan Snipes. “Deep, crushing, ominous emptiness.”
My band has been playing lots of shows in Brooklyn. We love to play shows, but we’re also concerned that the frequency at which we
Lesley Flanigan’s music is full of seemingly familiar sounds that, in her compositions, elude any sense of their precise origin. Flanigan is a New York electronic musician
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